Where to begin? I’ve spent most of the semester wondering if I even really like doing documentary work and if it is the type of photography I’d like to get into. I’d had no prior experience in documentary before Salt and I have learned so many things here I don’t think I could count them all. Some things I expected to learn, the basics of what makes a good documentary for instance, and how to use my camera better. But there were things I had no idea I would learn about myself and about this type of photography in general. I realized I tend to bring too many preconceived ideas of how people will react to me taking photos of them, and they almost always turn out wrong. I learned that if you want to get a good photograph you can’t be shy about getting close. And that most of the time, if you are in a place long enough, people tend to forget you’re even there. I have been lucky that all the people I have worked with have been very kind and helpful. While I still don’t know if the documentary field is right for me, the experience overall has certainly been a positive one, and something I will never forget.
Photo
- Associated Press Photo Services
- College Photographer of the Year
- Daylight Magazine
- Demotix
- evil eye baby
- lens culture
- Magnum Photos
- MediaStorm
- National Geographic photography
- National Press Photographers Association
- PDN–Photo District News
- Reportage by Gettyimages
- Smithsonian Photography Initiative
- The New York Times: Lens Blog
- Vewd-for documentary photographers
- VII Photo Agency
- Visura Magazine
- World Press Photo
Radio
- A Prairie Home Companion
- American Radio Works
- Association of Independents in Radio (AIR)
- BBC Radio
- CBC Radio
- Hearing Voices from NPR
- MediaStorm
- National Public Radio
- PRX (Public Radio Exchange)
- Radio Diaries
- Radiolab
- Story Corps
- The Kitchen Sisters
- The Moth
- The New York Times
- The Saltcast
- Third Coast International Audio Festival
- This American Life
- Transom
Writing
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